Anna Taylor (Christina Ricci) is unhappy. She ends up in a car accident and wake ups up on a slab in a funeral home. Funeral director Elliot Deacon (Liam Nesson) tells Anna she is dead and he has the
special ability to talk to the dead. Anna is in denial as she tries to find a
way to escape. She can walk, talk, move, and even still feel. She wonders how this is possible. Elliot
gives her a drug that he says relaxes her muscles (just before someone comes to see her).
Anna’s boyfriend, Paul (Justin Long), is a mess after Anna dies and he wanted her to marry him.
Some people will probably flock to see
it when they hear Christina Ricci is in a red slip or is naked for most of the movie.
Liam Nesson plays the funeral director with a quiet presence that only a few will see him for what he really is. This is an interesting and eerie debut feature from the beautiful Agnieszka
Wojtowicz-Vosloo who wants to give a new spin to the film about the dead and how people cope with those who have died. More important is that it deals with the fact people are sometimes afraid to really
live. Anna doesn’t want to die, but she was afraid to live while
Elliot sees it as his purpose to prepare the dead to pass on. It is an interesting
and beautiful film and yet creepy in the right moments. This director is a person
to watch for the films she does next.
An audio commentary with director Agnieszka
Wojtowicz-Vosloo digs into the story of the film as she mostly talks about the characters and story with a few insights into
making the film. The featurette has an interview with the director as she reveals
the little clues in the film. Rounding out the extras is the original theatrical
trailer and previews for other Anchor
FINAL ANALYSIS: AFTER.LIFE is different and Agnieszka Wojtowicz-Vosloo is a director worth watching.
This DVD review is ©8-15-2010 David Blackwell and cannot be reprinted without permission. Send all
comments to email@example.com